In Mélanie Laurent’s “Wingwomen,” the narrative revolves around Alex and Carole, two skilled thieves yearning to extricate themselves from their perilous criminal pursuits. The film skillfully combines elements of buddy-comedy and action-adventure, providing a genuine, multifaceted portrayal of the deep connection between the two female leads. Unlike the typical depiction of women as mere “badasses” in action films, “Wingwomen” delves into their complexities and vulnerabilities.
Carole and Alex, portrayed excellently by Adèle Exarchopoulos and Mélanie Laurent, possess remarkable expertise in their criminal trade but are presented with a formidable final heist assigned by their enigmatic employer, “Godmother,” brought to life by Isabelle Adjani. This job involves stealing architectural plans and weapons, culminating in the theft of a pop-art masterpiece referred to as “The Grand Odalisque.”
Laurent’s direction effectively captures the stunning Mediterranean landscapes, and Antoine Roch’s cinematography does justice to the picturesque settings. The characters they encounter are uniquely eccentric, avoiding the clichés often associated with action films.
Laurent’s commitment to authentic portrayals of female friendships is evident as her characters exhibit flaws and vulnerabilities, enriching the depth of their relationship. “Wingwomen” shines as an action-packed heist film that celebrates the importance of the bond between Carole and Alex, making it a truly enjoyable and distinctive addition to the genre, even if the conclusion leaves room for improvement. Visit afdah tv for more!
